ȶ Verbal and Nonverbal Communication rvlsoft/Shutterstock.com CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ Verbal and nonverbal communication have increasingly taken place in a digital environment. the use of emojis has become more and more popular on social media, such as Facebook. today, you will look at emojis, memes, and GiFs and try to deduce if they are worth being a part of your social media marketing efforts as well as teach you a thing or two that will help you use these graphics without embarrassing yourself. We have seen a significant rise in their usage for marketing purposes only in the last couple of years. the main reason for that is actually quite simple; brands and businesses noticed that emojis are a great way to connect and engage with millennials. additionally, these graphics are a form of visual content, and social media craves visual content (Supan, &W]SYVIEHXLMWGLETXIVVIQIQFIVXSVIJPIGXSRLS[XLIMRXIVRIXERHWSGMEPQIHME have altered the way you communicate both verbally and nonverbally in the social and professional environments. VERBAL COMMUNICATION What is verbal communication? Verbal communication encompasses both our words and our verbal fillers (e.g., um, like). Verbal messages are created through language. Effective communication involves accurate interpretations of others’ verbal messages as meaning is cocreated. Otherwise, the meanings of the words you communicate will not be understood. As a professional, you must make effec- tive use of your language skills and improve your abilities to interpret other peo- ple’s messages. Robinson and Robinson (1982) concluded that if speakers are to be consistently efficient at conveying verbally their intended meanings to listeners, they must understand that intended meanings may not be fully conveyed by a message and that many factors can lead to a listener’s failure to understand what a speaker means. The use of emojis has become more and more popular on social media, such as Facebook. Chapter outline åųƱĬŅĵĵƚĹĜϱƋĜŅĹnj21 cŅĹƴåųƱĬŅĵĵƚĹĜϱƋĜŅĹnj24 ŅÚåŸŅücŅĹƴåųƱĬŅĵĵƚĹĜϱƋĜŅĹnj27 Forming Relationships With Verbal and cŅĹƴåųƱĬŅĵĵƚĹĜϱƋĜŅĹnj34 KEYS to Excellence in Verbal and Nonverbal ŅĵĵƚĹĜϱƋĜŅĹnj38 Chapter objectives After studying this chapter, you should be able to 1. %åĀĹåƴåųƱĬÏŅĵĵƚĹĜϱƋĜŅĹ 2. %åĀĹåĹŅĹƴåųƱĬÏŅĵĵƚĹĜϱƋĜŅĹ 3. Appraise your verbal and nonverbal communication skills 4. Discuss examples of how verbal and nonverbal communication are related 5. Apply the KEYS approach to conduct yourself with professional excellence through verbal and nonverbal communication in the workplace ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS The symbols communicators use are abstract, vague, and sometimes arbitrary. Because symbols can make things a bit off or fuzzy, we have to interpret the meaning. So we construct meanings as we inter- act with other people and by processing the information in our own heads (Duck, 1994; Keyton & Beck, 2010). This process of meaning construction is also symbolic, because we use words to think about what things mean (Keyton & Beck, 2010; Wood, 2009). In a series of growth models, words had a stronger effect on engagement skills whereas early gesture use predicted later development of social-emotional concepts. Therefore, even in early development, symbols serve as both communication tools and mental tools to construct under- standing of the social-emotional world (Vallotton & Ayoub, 2009). When you really think about it, it is an absolute miracle that we can communicate with one another at all. Really, think about it for a moment. We have selected a bunch of arbitrary symbols we call words and gestures to represent “things.” These can be things we have never seen or never can see, such as feelings. Nevertheless, we use those symbols to express our thoughts, desires, and emotions, and somehow communica- tion does occur. Because of the need for interpretation of meaning, being an audience- centered communicator is a must for professional excellence. It is obvious that com- munication affects how we are perceived by our audience(s). Still today, some people believe that communication works like a pipeline (i.e., if you send a message, the target will no doubt be reached); if you said something and another person heard it, then effec- tive communication occurred. We should know from experience that this simply is not the way it works. With little effort, you could give a dozen examples of times when you said something and the listener completely misunderstood the message. Let’s look at an example from the retail industry to illustrate the point. A customer comes into a grocery store and asks for green beans. Trying to provide good customer service, a manager explains, “The green beans are on Aisle 8.” Twenty minutes later, the customer is still wandering around the store frustrated. Why? Because canned green beans are on Aisle 8, fresh green beans are on Aisle 1, frozen green beans are on Aisle 14, and the prepared green beans she wanted are in the deli across from Aisle 10. “Green beans” is an arbitrary symbol with various interpretations of meaning. Verbal communication concerns communication rules—shared understanding of what communication means and what constitutes appropriate communication given the context. Two kinds of rules guide communication (Pearce, Cronen, & Conklin, 1979). Regulative rules describe when, how, where, and with whom to talk about certain things. These same rules also dictate appropriateness. For instance, it might be appro- priate for your boss to call you at home after hours, but would it be appropriate for you to do the same if you had a concern about your travel schedule? What’s appropriate for the person with power or control may not be appropriate for those serving in a subordinate role. To demonstrate professional and workplace excellence, you must be able to mon- itor your own appropriateness when communicating. In addition, constitutive rules define what communication means by prompting us to count certain kinds of commu- nication. In other words, we learn what counts as paying attention (e.g., eye contact) and showing affection (e.g., kissing, hugging), as well as what counts as being inappropriate (e.g., interrupting conversations, rolling one’s eyes; Duck, 2007; Wood, 2009). Verbal communication in collaborative work groups is essential in both face-to-face and mediated contexts. U n sp as h .c o m /J o h n S ch n o b ri ch . L ic e n se d u n d e r C C 0 1 .0 . CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ Being aware of yourself can make the difference between losing your job and nurturing a promising career. We see examples of this in the news headlines and front-page stories of our favorite magazines and newspapers. In early 2012, radio talk show host and political commentator Rush Limbaugh caused controversy after he made inflammatory remarks about Georgetown University law student Sandra Fluke. Despite the fact that his career is based on sharing his opinions, the words he chose on that fateful day resulted in public and sponsor backlash. What factors led to such an outcry? If he had spoken out in disagreement without name-calling, would the reaction have been the same? What are the ethical considerations in this situation? What might you take from this story when considering your verbal com- munication in the workplace? Undoubtedly, the words we say are extremely import- ant. Yet, of equal importance is what we communicate without words. STEP BACK AND REFLECT (SRǻHIRX(SRRMI žƐDžŇƣƐŹå±ÚƐƒĚĞžƐŤ±žž±ďåƐ±ĻÚƐ±ĻžƾåŹƐƒĚåƐŭƣ垃ĞŇĻžØƐžƒåŤƐƱÏīƐ±ĻÚƐŹåāåσƐŇĻƐƾ̱ƒƐƾåĻƒƐ wrong in this professional situation. Connie works in the accounting department of a manufacturing company. She often complains to her family and friends that her coworkers do not like her and treat LIVHMǺIVIRXP]XLERXLI]HSXLISXLIVWXEǺLIMWRSXMRZMXIHXSPYRGLSYXMRKWERH she notices that people walk away when she approaches. She considers herself a JVMIRHP]SYXKSMRKTIVWSRERHGERRSXǻKYVISYX[LEXWLIMWHSMRK[VSRK(SRRMI believes her coworkers may resent her because she is able to work well with all her clients and is skilled in accounts reconciliations, resulting in company savings SJXLSYWERHWSJHSPPEVWIEGLQSRXLLIMWGSRǻHIRXMRLIVEFMPMXMIWERHWTIEOW proudly in meetings, providing guidance to her teammates about work issues. She enjoys sharing her success stories and has no apprehension about asking questions in meetings. She has been with the company longer than everyone, including her boss, and she often reminds him of the history of why things are done a certain way. (SRRMIMWGSRǻHIRXXLEXIZIRMJLIVGS[SVOIVWEVINIEPSYWSJLIVEFMPMXMIWLIVFSWW recognizes her value as an employee. However, when she receives her performance review, she is shocked by her supervisor’s comments: “Feedback has been shared with Connie several times on her engagement in team meetings. Connie constantly repeats points discussed and closed in meetings, which is a distraction for several analysts. it is evident that Connie is having a hard time following along in meetings, as points and topics are constantly being repeated for her to understand. Feedback has been shared with Connie on staying SRTSMRXERHRSXHVMJXMRKSǺXSSXLIVXERKIRXW&XXMQIW(SRRMIƶWFSH]PERKYEKI comments, and tone of voice during meetings seem aggressive and indicate that she disagrees with her manager. this has been shared with Connie and she has been asked to improve.” XIT'EGOERH7IǼIGX What went wrong? How could Connie use the KeYS approach to improve her communication interaction? -S[GERXLI0*=TVSGIWWFIEVIǼI\MZII\IVGMWIJSVFSXL(SRRMIERHLIVQEREKIV$ ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS NONVERBAL COMMUNICATION What is nonverbal communication? Put simply, nonverbal communication (also referred to as body language) includes all those ways we communicate without words. A more technical definition for nonverbal communication is “communica- tion other than written or spoken language that creates meaning for someone” (Ivy & Wahl, 2014, p. 5). The literature provides considerable support for the effectiveness of nonverbal communication as a tool for conveying thoughts, attitudes, perceptions, and mean- ing. Research indicates that about 55% of interpersonal messages are conveyed non- verbally (Lavan, 2002). This seems logical, because most human beings are visually dominant and live in a society dominated by visual images and are thus more inclined to believe the evidence of the eyes than that of the other senses (Sampson, 1995). In fact, a widely held viewpoint among scholars is that communication is optimized when verbal and nonverbal elements operate in an integrated fashion, producing a coordinated and synchronized effect (Jones & LeBaron, 2002; Laplante & Ambady, 2003). R. Harrison and Crouch (1975) suggested that verbal communication is only the tip of the communication iceberg and that “nonverbal communication precedes and perhaps structures all subsequent communication” (p. 77). Nonverbal symbols are everywhere, even though we tend to use verbal forms for our most formal communications. In fact, the nonverbal system accounts for 65% to 93% of the total meaning of communication (Birdwhistell, 1970; Mehrabian, 1981). Nolan (1975) concluded that the many theories of language evolution had one important argument in common: “Nonverbal behavior precedes verbal behavior in the evolution of communication” (p. 101). Taking the Spotlight As you read this passage and answer the questions, consider how the way you communicate has an ethical dimension. LIMPEERH)EZMH[SVOJSVEREHZIVXMWMRKǻVQERH are partners assigned to work on a major advertising campaign. Sheila is a seasoned account manager, while david is a recent college graduate hired as ENYRMSVEGGSYRXI\IGYXMZI-IMWZIV]IRXLYWMEWXMG ERHLEWWIZIVEPMHIEWXLEXLIWLEVIWI\GMXIHP] with Sheila via email. Sheila never responds to the email. in a meeting with management to propose their ideas, however, Sheila takes the lead on presenting; as a result of her nonverbal and verbal communication, management concludes that she was responsible for the work. in fact, when commended on the ideas, she accepts the praise and makes no reference to david. david, by contrast, is afraid to say anything, and his bosses have no clue that the majority of the ideas were his. Questions to Consider What are the ethical considerations and dilemmas in this scenario? What did Sheila communicate or not communicate during her presentation, and how? How could david use his verbal and nonverbal skills in the future to keep this situation from happening? What do you believe should be the appropriate, professional response in this situation? 5. )SIWGSQQYRMGEXSVMRXIRXEǺIGXXLIIXLMGWMR situations such as this? 6. do you believe the outcome of this situation would have changed if david had talked directly to Sheila instead of using email? ETHICAL CONNECTION CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ What kinds of behavior are included in the term nonverbal communication? Your “walk, stance, posture, and footsteps are a form of nonverbal communication. What you wear and how you look, move, and gesture, as well as the facial and eye expressions you make all count as non- verbal communication” (Ivy & Wahl, 2014, p. 6). What are the purposes of non- verbal communication? Why is nonver- bal communication important? Argyle (1988) suggested that non- verbal behavior serves four purposes. The first function is to express emotion. Consider a moment when you may have had a conflict with a friend or family member. When that person asked you what was wrong, you probably responded, “Nothing,” but you could not control your facial expressions, which indicated oth- erwise. Displaying appropriate emotion is vital to professional excellence. One should show passion and drive but also demonstrate resilience and be able to tri- umph over day-to-day disappointments in the workplace. Could you imagine a classroom environment where students displayed extreme emotion each time they received a grade that was lower than expected? How do you think your productiv- ity would be affected? The second function of nonverbal communication is to convey interpersonal attitudes. Being skilled in observing and interpreting the nonverbal behavior of others will give you an edge over other professionals. For example, a young woman competing for a promotion with another employee noticed that her coworker would always approach their boss with issues first thing in the morning. The coworker would then complain that he had to repeat himself and that their supervisor seemed to forget what he had been told. The young woman observed that her supervisor always seemed rushed and distracted until he had his coffee and had checked and responded to pressing emails. She made sure always to approach him when he seemed more relaxed and focused. When he offered her the promotion, her supervisor said he appreciated her timing and how she always kept him in the loop. The third function is to present one’s personality, such as character, disposition, or temperament. Think about the different work environments you frequent during your week—the bank, the school library, restaurants, and so on. What are the char- acter traits of employees at each of these establishments? Do you expect that the librarian will be as outgoing as a server in a crowded bar? Make a list of the top five jobs you have considered, and write down some of the personality traits that might be expected. How might your verbal and nonverbal communication vary between the positions? Finally, the fourth purpose of nonverbal communication is to accompany verbal communication. Ekman (1965) specified the important ways that verbal and non- verbal behaviors interrelate during human communication. Nonverbal communi- cation can simply repeat what is said verbally. It can also conflict with what is being said. Verbal and nonverbal communication can be incongruous, or in disagreement. Think of a time at home, work, or school when you experienced someone saying he or she was being truthful yet could not look you in the eye. Did you assume that person was being deceptive? Or think of a time when a loved one said, with a This photo illustrates a few examples of nonverbal communication—all the ways we communicate without words. To achieve professional excellence, you should become a critical observer of nonverbal cues in any environment. C o m sto ck Im ag e s/C o m sto ck / T h in ksto ck ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS raised voice and tear-filled eyes, that nothing was bothering him or her. When ver- bal communication carries one message and body language a conflicting message, the result is likely to be communication failure (Jones & LeBaron, 2002; Laplante & Ambady, 2003). Ekman (1965) also found that nonverbal communication can complement or accent a specific part of the verbal message. This can include placing emphasis on certain words by slowing down your speech or changing your tone. Nonverbal behavior can also be a substitute for a word or phrase within a verbal message. How many of you have ever nodded instead of saying yes when your professor asked you if you understood the curriculum? Or perhaps you have looked away to avoid eye contact instead of saying that you do not want to be called on to answer the question being asked. Nonverbal communication may also accent (amplify) or moderate (tone down) parts of the verbal message. As well, nonverbal communication is distinct in its abil- ity to regulate verbal behaviors by coordinating our verbal and nonverbal behavior in the production of our messages or those of our communication partner (Ekman, 1965). Imagine the last time you had a conversation with a roommate or friend. How did you determine whose turn it was to speak? Did you use eye contact to end the conversation or to let the other person know you were listening? What hand gestures or sounds might you have made to show your partner that you wanted to speak? A Day With the Chief As you evaluate the passage below, consider whether this behavior is appropriate for this professional context. mark is a top-performing salesperson at a pharmaceutical supply company. as a reward for his performance, he is treated to a trip to the corporate SǽGIMR(EPMJSVRMEXSQIIXXLI(*42W2MPPW2W2MPPW MWORS[REVSYRHXLISǽGIEWXLIƸ;MGOIH;MXGLSJXLI West” because of her short and sometimes abrasive demeanor. mark’s coworkers share “horror stories” of their encounters with her, stating that she rarely makes eye contact, never smiles, and dislikes being approached unless she initiates the conversation. &PXLSYKLLIMWI\GMXIHXSXVEZIPLIMWEPWSRIVZSYW about what he and ms. mills might talk about. He prepares by thinking about how he can share his sales strategies and techniques. on the day of the meeting, he waits patiently for ms. mills’s assistant to call him MRXSLIVSǽGI;LIRLIMWIWGSVXIHMRXSQIIXLIVLIMW shocked to see a petite woman behind the large desk smiling back at him with kind eyes. He approaches, shakes her hand, and waits for her permission to sit. ms. mills is nothing like the horrible person they made her out to be. ms. mills asks mark several thoughtful UYIWXMSRWEFSYX[L]LIMWWYGGIWWJYP[E]WXLIWXEǺ GERFIWYTTSVXIHERHLS[XLIGSQTER]ǻXWMR[MXL his professional goals. mark feels more and more comfortable as she leans forward to listen intently to what he is saying. mark loosens his tie, crosses his legs, and begins sharing stories of how he feels his immediate supervisor has dropped the ball on more than one occasion and that the team would be better if more money were allocated to incentives and bonuses. mark immediately sees ms. mills’s eyes begin to squint and her brow furrow. She stands up abruptly and WE]WMREKVYǺZSMGIXLEXXLIMVXMQIMWYTERHXLEXLIV assistant will show him out. Questions to Consider ,MZIRXLITVSJIWWMSREPGSRXI\X[LEX[SYPH]SY LEZIHSRIXLIWEQIERHSVHMǺIVIRXP]MJ]SY[IVIMR mark’s position? )S]SYXLMRO2EVOEGGYVEXIP]IZEPYEXIHXLIGSRXI\X$ Why or why not? What communication factors led to the change in the Ceo’s disposition? How could the KeYS process help mark improve his communication skills? Evaluate the Professional Context CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ Recall the definition of human commu- nication as presented earlier in the text: the process of understanding our experiences and the experiences of others through the use of verbal and nonverbal messages. In fact, in an effort to categorize the mean- ing associated with nonverbal behavior, Mehrabian (1981) identified three dimen- sions that indicate how we use nonverbal communication to make sense of things in both personal and professional contexts: x Immediacy: We react to things by evaluating them as positive or neg- ative, good or bad. x Status: We perceive behaviors that indicate various aspects of status to us—for example, rich or poor, strong or weak, superior or subordinate. x Responsiveness: We perceive activity as being active or passive. This signals the intensity of our feelings about a person or subject. Knapp and Hall (2009) proposed that these three dimensions are basic responses to our environment and are reflected in the way we assign meaning to both verbal and nonverbal behavior. Now that we have explored the value and importance of nonverbal communi- cation and how we assign meaning, it is crucial that we examine the components of nonverbal communication to understand it on a deeper level. Although we focus on these nonverbal communication codes in Western culture, remember that percep- tions or reactions to nonverbal communication can vary in other cultures. CODES OF NONVERBAL COMMUNICATION The primary categories or codes of nonverbal communication include vocal expres- sion; space, environment, and territory; physical appearance; body movement, gestures, and posture; facial and eye expressions; and touch (see Table 2.1; Ivy & Wahl, 2014). Vocal Expression Vocalics, sometimes referred to as paralanguage, refers to how people use their voices to communicate and express themselves (Foley & Gentile, 2010; Ivy & Wahl, 2014). Vocalic cues include tone (quality) of voice, volume, articulation, pitch (high- ness or lowness), rate of speech, and use of silence. The voice reveals our emotions, our thoughts, and the relationships we have with others. A growing body of evidence from multidisciplinary research in acoustics, engineering, linguistics, phonetics, and psychology suggests that an authoritative, expressive voice can make a big difference in one’s professional career. Scientific studies show that someone with authority char- acteristically speaks low, slow, and with vocal intonation (Louët, 2012). Vocalics pro- vide information about our self-confidence and knowledge and influence how we are perceived by others (Hinkle, 2001). Think about the direct impact that tone of voice can have in a professional setting. What does your voice say about you to others? Remember that our cultural backgrounds can determine how physically close we get to others and how close we let others get to us. iS to ck.co m / R aw p ixe l ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS TABLE 2.1 Nonverbal Communication Codes: Consider the Professional Context NONVERBAL CODE CONSIDER THE PROFESSIONAL CONTEXT Kinesics (body movement, gestures, and posture) How do you think gestures and body movement impact professional contexts? Facial/eye behavior Can you think of some examples of professional face and eye behavior? How can face and eye behavior lead to negative perceptions? Vocalics (paralanguage) What vocal qualities do you perceive as professional? Unprofessional? Space/territory How can space and territorial violations impact business and professional contexts? Touch Can you think of positive ways to use touch in professional contexts? In contrast, can you think of some negative uses of touch? Environment What are the qualities of a professional environment? Physical appearance In what ways does physical appearance impact business and professional communication? Space The impact of space on communication is called proxemics, or how people create and use space and distance, as well as how they behave to protect and defend that space (Foley & Gentile, 2010; Hall, 1959, 1966; Ivy & Wahl, 2014). Violations of territory and our personal space can be detrimental in business and professional settings. Have you ever been on a crowded ele- vator and been uncomfortable because it seemed as though people were invading your personal space? When you go to the library, how many of you place your back- packs on the table or chair next to you to claim your space? What would happen if someone sat down in that chair anyway? Violations can be alarming, possibly even threatening. Our relationships with oth- ers, power and status, and our cultural backgrounds determine how physically close we get to others and how close we let others get to us (Burgoon & Jones, 1976). What preferences do you have related to space and distance? Edward T. Hall (1963) identified four zones of space in mid- dle-class U.S. culture. The first is the intimate zone (0 to 18 inches). This is usually reserved for our significant others, family members, and closest friends. It is rare that a stranger can enter this space without making us feel violated. These inter- actions mostly occur in private and signify a high level of connection, trust, and affection. The personal zone (18 inches to about 4 feet) is reserved for personal rela- tionships with casual acquaintances and friends. The social zone (4 to 12 feet) is the This photo demonstrates how people create and use space and distance. What might happen if someone picked up the computer and sat down in the seat next to her? S to ck b y te / S to ck b y te / T h in ks to ck CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ distance at which we usually talk to strangers or conduct business. If you went to your professor’s office to discuss a grade, for example, you would most likely remain at a distance of 4 to 12 feet. The public zone (more than 12 feet) refers to the distance typical of large, formal, public events. In large lecture classrooms, campaign rallies, or public speeches, the distance between speaker and audience is usually more than 12 feet. Understanding these spatial zones is important to your everyday nonverbal communication competency. Environment The constructed or natural surroundings that influence your communicative deci- sions, attitude, and mood are termed the environment (Foley & Gentile, 2010; Ivy & Wahl, 2014). People are influenced by environmental factors such as architec- ture, design, doors, windows, color, lighting, smell, seating arrangements, tempera- ture, and cleanliness (P. Harris & Sachau, 2005; Jackson, 2005). Take a moment to think about what preferences would be related to your work environment. How does the environment (e.g., temperature, lighting, color, furniture) impact your communication? Consider other things in the environment that can serve as nonverbal cues about who you are. These environmental factors you create and control are what serve as nonverbal messages to others who enter the space. As one scholar put it, “People cannot be understood outside of their environmental context” (Peterson, 1992, p. 154). The environments we create for ourselves often speak volumes about those relationships we consider most important (Lohmann, Arriaga, & Goodfriend, 2003). For instance, negative emotions and aggressive behavior of employees are two noticeable reasons for increased organizational costs (e.g., poor productivity, high staff turnover, low organizational commitment; Alarcon, 2011; Banks, Whelpley, Oh, & Shin, 2012). The way we perceive our environment and the environments of others is an important factor in how we respond. Overall, we perceive the environment in six distinct ways (Knapp & Hall, 2006). The first is formality, which is an understanding people have of environment that relates to how comfortably they can behave, in light of their expectations. Sometimes it is more about the atmosphere of a certain place than the place itself. The second way we can perceive the environment is warmth. This means that the environment gives off a certain sense of warmth, comfort, or a welcoming context based on our past or current experience. Think of a favorite smell from your childhood, for example. Smells in an environment contribute to our perception of warmth. Privacy is another way the environ- ment can be perceived. Do you prefer a crowded and noisy restaurant or a peaceful and quiet one? Do you choose a seat in the back of a movie theater or in the middle next to many other moviegoers? Another perception we have is familiarity, which means that we tend to react cautiously when we meet new people or are confronted with an unfamiliar environment. Not knowing where we are and what to expect makes us feel less comfortable. We like knowing what to expect and how to behave in the environment. 5ISTPIEVIMRǼYIRGIH by their environments. What are the nonverbal messages in this TVSJIWWMSREPSǽGI environment that could impact communication? iS to ck.co m / jaco b lu n d ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS Nonverbal Communication As you read the index below and answer the questions, think about how this knowledge can help you be a better communicator. Nonverbal Immediacy Scale—Observer Report this measure will allow you to assess your own nonverbal immediacy behaviors. Directions: the following statements describe the ways some people behave while talking with or to others. Please indicate in the space at the left of each item the degree to which you believe the WXEXIQIRXETTPMIWXS?ǻPPMRXLIXEVKIXTIVWSRƶWREQI or description]. Please use the following 5-point scale: never rarely occasionally often; 5 very often. i use my hands and arms to gesture while talking to people. i touch others on the shoulder or arm while talking to them. i use a monotone or dull voice while talking to people. i look over or away from others while talking to them. 5. i move away from others when they touch me while we are talking. 6. .LEZIEVIPE\IHFSH]TSWMXMSR[LIR.XEPOXS people. i frown while talking to people. i avoid eye contact while talking to people. i have a tense body position while talking to people. i sit close or stand close to people while talking with them. my voice is monotonous or dull when i talk to people. .YWIEZEVMIX]SJZSGEPI\TVIWWMSRW[LIR. talk to people. i gesture when i talk to people. i am animated when i talk to people. .LEZIEFPERHJEGMEPI\TVIWWMSR[LIR.XEPO to people. i move closer to people when i talk to them. i look directly at people while talking to them. .EQWXMǺ[LIR.XEPOXSTISTPI i have a lot of vocal variety when i talk to people. i avoid gesturing while i am talking to people. i lean toward people when i talk to them. i maintain eye contact with people when i talk to them. i try not to sit or stand close to people when i talk with them. i lean away from people when i talk to them. i smile when i talk to people. i avoid touching people when i talk to them. Scoring for nonverbal immediacy Scale—observer report: XITStart with a score of 78. Add the scores from the following items: 1, 2, 6, 10, 12, 13, 14, 16, 17, 19, 21, 22, and 25. XITAdd the scores from the following items: 3, 4, 5, 7, 8, 9, 11, 15, 18, 20, 23, 24, and 26. Total score XITminusXIT SOURCE: Richmond, V. P., McCroskey, J. C., & Johnson, A. E. (2003). Development of the Nonverbal Immediacy Scale (NIS): Measures of self- and other-perceived nonverbal immediacy. Communication Quarterly, 51, 502–515. How did you score? What surprised you about your score? You can also try the measure on others. Simply ǻPPSYXXLIQIEWYVI[MXLERSXLIVTIVWSRƶWFILEZMSVW MRQMRH+SVMRWXERGI]SYQMKLXǻRHMXMRXIVIWXMRK XSǻPPSYXXLIWYVZI]JSV]SYVPIEWXERHQSWXJEZSVMXI professors to determine whether their nonverbal immediacy might play some role in the degree to [LMGL]SYPMOIXLIQ)S]SYRSXMGIHMǺIVIRGIWMRXLIMV use of nonverbal immediacy behaviors? did you learn more in one class? What class did you enjoy more? KNOW YOURSELF CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ Another perception of environment is that of constraint. Think about your liv- ing situation. Do you like sharing a room or home with another person? Whenever we feel that our personal space is being invaded, we feel constrained. Most of our perceptions of constraint are shaped by the amount of privacy and space available to us. The final perception of environment is distance. Our perceptions of distance in an environment pertain to physical arrangements. We like to know how far away the closest door is or how many people can fit into an elevator. We create distance by avoiding eye contact or taking a longer route to avoid saying hello to a person we find annoying. Review the tips focused on establishing an effective workspace in Tools for Professional Excellence 2.1. IXXMRK9TER*ǺIGXMZI;SVOWTEGI ŇƐžåƒƐƣŤƐ±ĻƐåýåσĞƽåƐƾŇŹīžŤ±ÏåØƐƒ±īåƐĻŇƒåƐŇüƐƒĚåžåƐƣžåüƣĮƐƒĞŤž× Key Points Practical Tips think beyond the desk. x .RGSVTSVEXIQSZIQIRXMRXSXLISǽGI&[SVOWTEGIXLEXFVIEOWXLIƸFSRH FIX[IIRYWIVERHHIWOƹGERFVMRKTL]WMGEPERHTW]GLSPSKMGEPFIRIǻXWXSMXW employees. x Create work areas where employees can both sit and stand. x 'VMRKMRHMǺIVIRXWM^IWSJXEFPIWGLEMVWERHIZIRWSJEWJSVQIIXMRKWSVPYRGLFVIEOW =SYVSǽGIMWERI\XIRWMSR of your culture and brand. x Consider what you want your workspace to say about the culture of your company, which can help foster a sense of belonging in employees. x think carefully about what furnishings and décor items are used in the workspace. x don’t be afraid of color: a workspace that is all white or gray can have negative LIEPXLIǺIGXWSRIQTPS]IIW[LMPIE[SVOWTEGIXLEXMRGSVTSVEXIWGSPSVWPMOI blue or red can help keep employees productive and motivated. include an area for meaningful play. x incorporate a play area to help employees break free from the monotony of email and phone calls. x While something as simple as a couch or two will do, don’t be afraid to get creative and incorporate games, such as ping-pong, into the play area. x “Play means connection”: Play areas can help employees build bonds with one another and fosters communication and success. allow employees to design their own workspace. x let employees have a say in the design process, especially when it comes to I\TVIWWMRK[LSXLI]EVI HSMRKWSGERFSSWXIQTPS]IIQSVEPI[LMGLJYVXLIV improves the company’s productivity. x Give employees some control in how the workspace should look by letting them pick the color, allowing them to personally decorate their section of the workspace, or inviting them to bring in their pets. Source::S^^E 2EVGL7IXLMRO]SYVSǽGIHIWMKR)IWMKRMRKEQSVIIǺIGXMZI[SVOWTEGI Entrepreneur. Retrieved and adapted from www.entrepreneur .com/article/226034 TOOLS FOR PROFESSIONAL EXCELLENCE 2.1 ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS Physical Appearance Physical appearance—“the way our bodies and overall appearance nonverbally com- municate to others and impact our view of ourselves in everyday life” (Ivy & Wahl, 2014, p. 153)—also plays an important role in communication. Making the connection between physical appearance and nonver- bal communication is important for two reasons: (1) The way we represent our- selves and our physical appearance reveal a lot about who we are, and (2) the physical appearance of other people influences our perception of them, how we talk to them, how approachable they are, how attractive or unattractive we think they are, and so on. Clothing is also a part of our physi- cal appearance that is often critical to professional situations. Clothing helps you convey a sense of professionalism. Clothing and other appearance aspects, termed artifacts (e.g., jewelry, tattoos, piercings, makeup, cologne, eyeglasses), send non- verbal messages and help others form perceptions of us, both good and bad (Okoro & Washington, 2011; Roach, 1997). The nonverbal message sent by your clothing is a powerful part of professional excellence. Appearance is extremely important in our society. In fact, according to Armour (2005), employers also agree that physi- cal appearance matters. An intranet software firm in the Northeast requires formal business attire on the job. Men must wear ties, cannot have beards, and cannot wear their hair past shoulder length. “Clients like to see a workforce that looks conserva- tive,” says the chief operating officer. Although the criteria for what is acceptable in each environment might vary, physical appearance undoubtedly can affect one’s perceived professional excellence. Body Movement Kinesics is a general term for the study of human movement, gestures, and pos- ture (Birdwhistell, 1970; Foley & Gentile, 2010; Ivy & Wahl, 2014). Kinesics provides valuable information about a person to others. Have you ever heard someone make reference to how a certain person carries himself or herself? Have you ever talked about a person who has a certain presence in the room? Perhaps you have said, “He/she walks like a leader.” Some people carry themselves in ways that convey pride and confidence, while others have poor posture and seem to lack confidence. Ekman and Friesen (1969b) classified movement and gestures according to how they function in human interaction. The five categories of kinesics are emblems, illustrators, affect displays, regulators, and adapters. Emblems are specific, widely understood meanings in a given culture that can actually substitute for a word or phrase. An example of this would be placing your pointer finger in front of your lips to indicate to someone to be quiet. Illustrators are gestures that complement, enhance, or substitute for the verbal message. If you were describing the length of the biggest fish you ever caught, you might use your hands to illustrate the size. Or when you are giving directions, you might point to show which way to go. Affect displays are facial expressions and gestures that display emotion. A smile can be an affect display for happiness, while a scowl can display frustration. Regulators are gestures used to control the turn-taking in conversations. The way we represent ourselves and our physical appearance reveal a lot about who we are. The nonverbal message sent by your clothing is a powerful part of professional excellence. iS to ck .c o m /m e d ia p h o to s CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ For example, you might make a hand motion to encourage someone or raise your own hand to get a turn at speaking. When we are eager to speak, we typically make eye contact, raise our eyebrows, open our mouths, take in a breath, and lean forward slightly. We do the opposite if we do not want to answer. Head nods, vocal expres- sions (such as um), facial expressions, body postures, and eye contact can be seen as connectors that keep the conversation together and make it coherent. When these sorts of nonverbal cues are absent from a conversation, it might trigger a negative reaction, and we could come to believe that our conversational partner is not listen- ing at all. Adapters are gestures we use to release tension. Playing with your hands, poking, picking, fidgeting, scratching, and interacting nonverbally with your envi- ronment are all adapters that reveal your attempts to regulate situations and to make yourself feel more at ease and able to function effectively. Adapters can alert us that another person is uncomfortable in some way (Ekman & Friesen, 1969b). Facial Behavior Facial expressions (including the study of eye behavior, called oculesics) are also critical codes that have been studied by nonverbal communication scholars (Ivy & Wahl, 2014). The face can be considered a gallery for our emotional displays (Gosselin, Gilles, & Dore, 1995). What does another person’s face tell you about him or her? What emotion is she expressing? How is he feeling? Are your coworkers sur- prised to see you? Did your colleagues find your presentation to be entertaining, or were they disappointed? Your face and eye behavior play a huge role in the messages you send in business and professional contexts. It is important not only to have a basic understanding of the emotions com- municated by the face but also to be aware of how we manage our faces in daily interactions. Social norms and communication expectations in our culture set the rules for what kinds of emotional expressions are appropriate in certain situations. To Tweet or Not to Tweet As you read the passage below, consider what ƾŇƣĮÚƐÆåƐ±ƐķŇŹåƐåýåσĞƽåƐÏŇķķƣĻĞϱƒĞŇĻƐžƒŹ±ƒåďDžƐ in this situation. ryan is the new digital media intern at a public VIPEXMSRWǻVQ)YVMRKSRISJLMWǻVWXQIIXMRKW members of the digital media team outline new hashtags they would like to test on the company’s social media accounts, and get consumer JIIHFEGO*EKIVXSWLS[SǺLMWWSGMEPQIHMEWEZZ] ryan immediately logs on to his personal twitter EGGSYRXERHWLSSXWSǺEWIVMIWSJX[IIXWYWMRK the new hashtags. later that day, ryan receives an email from the head of the digital media team, reprimanding him for using a personal social media account while on the job. Questions to Consider ;EW7]ERNYWXMǻIH[LIRLIX[IIXIHHYVMRKXLI meeting? Why or why not? to promote the company, what other GSQQYRMGEXMSRGLERRIP WGSYPH7]ERLEZI used instead of his personal twitter account? When, if ever, is it acceptable to use a personal social media account while on the job? if you were the head of the digital media team, how would you handle ryan’s situation? YOUR COMMUNICATION INTERACTION ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS Facial management techniques are categories of behavior studied by Ekman and Friesen (1969a, 1969b) that determine the appropriate facial response for a given situation. The four most common techniques are neutralization, masking, intensifi- cation, and deintensification. The process of using facial expressions to erase how we really feel is called neu- tralization. People who neutralize their facial expressions are often referred to as having a poker face. Masking means hiding an expression connected to a felt emo- tion and replacing it with an expression more appropriate to the situation. If we use an expression that exaggerates how we feel about something, it is called intensifi- cation. By contrast, if we reduce the intensity of our facial expression connected to a certain emotion, it is called deintensification. A significant part of facial expressions involves use of the eyes. About 80% of the information in our everyday surroundings is taken in visually (Morris, 1985). Kleinke (1986) purports that eye contact and gaze functions provide information, regulate interaction, express intimacy, exercise social norms, and facilitate personal, situational, and relational goals. Evasive glances and limited-duration eye contact on the part of a communicator tend to reduce compliance with requests (Gueguen & Jacob, 2002). What can people tell about you by looking into your eyes? Touch Touch, also called haptics in nonverbal research, “is the most powerful form of non- verbal communication; it’s also the most misunderstood and has the potential for severely negative consequences if not enacted appropriately” (Ivy & Wahl, 2014, p. 49). Several different systems for categorizing touch have been developed to help us better understand this complex code of nonverbal communication. One of the best means of classifying touch behavior was developed by Heslin (1974). The first, functional/professional touch, serves a specific function. These touches typically take place within the context of a professional relationship and are low in intimacy. An example would be the essence of greeting rituals in business situations, the pro- fessional handshake (Hlemstra, 1999). The handshake is critical to making a good first impression as a professional. Think about what you look for in a handshake. What does a professional handshake feel like? Social/polite touch is connected to cultural norms, such as hugs or pats on the back. Once again, these touches convey relatively low intimacy within a relation- ship, whereas friendship/warmth touch is the type people use to show their pla- tonic affection toward each other. Hugs and kisses on the cheek might be exchanged between two close friends, for example. Love/intimacy touch, by contrast, is highly personal and intimate. People communicate strong feelings of affection toward each other with these kinds of touches; in this case, hugs may last longer, and kisses may be on the lips. The last category involves sexual arousal. These touches are extremely intimate. FORMING RELATIONSHIPS WITH VERBAL AND NONVERBAL COMMUNICATION Developing interpersonal, verbal, and nonverbal communication skills requires you to differentiate between the content and relational layers of messages. As you communicate with other people, your messages have two layers (Dillard, Solomon, & Palmer, 1999; Watzlawick, Beavin, & Jackson, 1967). The first is the content layer. The content layer consists of the “information being explicitly CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ discussed” (Adler & Proctor, 2007, p. 16). The content layer may include descriptive information such as the time of a meeting, a project due date, or the names of the coworkers assigned to a team. You exchange content with others to function and retrieve basic information. The second layer is relational. The relational layer reveals “how you feel about the other person; whether you like or dislike the other person, feel in control or sub- ordinate, feel comfortable or anxious, and so on” (Adler & Proctor, 2007, p. 16). The relational layer may be communicated by your choice of words. For example, an executive may call her employees by their first names, while the employees are required to refer to the executive as Mrs. Villarreal. The difference in formality of names signifies a difference in control. The relational level can also be communi- cated nonverbally through tone of voice, use of space, and eye contact. For example, Jason is really nervous about making a deadline, but he can’t finish until Rachel completes the financial section of the project. Jason could ask Rachel, “What time will you be done with financials?” to retrieve a specific time reference, such as “Sometime this evening.” These words reflect the content layer. If Jason wants to send the message that he’s annoyed with Rachel, he could add a negative tone: “What time will you be done with financials?” If Jason is indeed annoyed, then he has effectively communicated both the content and relational layers of his message. However, if Jason did not intend to express annoyance, then his message is ineffective on the relational level. There are communicators out there who do not pay attention to the relational layer of their messages. As a result, they don’t realize how they’re coming across to others. To achieve professional excellence, you must think beyond the content layer of your messages and also assess the relational layer. This can be supported by using the KEYS process. Verbal and Nonverbal Communication and Their Impact on Professions In this chapter, we have explored verbal and nonverbal communication—why they are important, their definitions, their principles, and their components. As you Skills for Observing Nonverbal Communication Skill Strategy Application listen 1MWXIRJSVHMǺIVIRXZIVFEPMRǼIGXMSRWERH tone of voice. Watch a political speech and observe the ways that ZSGEPMGWMRǼYIRGIQIWWEKIVIGITXMSR observe inspect nonverbal cues to determine how a person responds to verbal communication. Pay attention to the body language of people as you give them either positive or negative reinforcement. understand Gain data from multiple interactions [MXLHMǺIVIRXTISTPIMREREXXIQTXXS KIRIVEPM^I]SYVǻRHMRKW after several communication interactions, step back ERHVIǼIGXSR[LIXLIVXLIVI[IVIER]RSRZIVFEP GYIWXLEXEVIVIPMEFPIEGVSWWGSRXI\XW ACTION ITEMS ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS consider your professional goals, think about how you will use verbal and non- verbal communication to succeed in your career. We have included the following examples of the importance of verbal and nonverbal communication in a variety of industries. Even if your desired profession is not listed in the sections below, know that developing your professional excel- lence and communication competence is invaluable no matter what path you may take in life. Customer Service and Sales Recall the importance of proxemics, or the impact of space on communication. Manning and Reece (1989) found that success in productivity and sales was linked to the distance between sales representatives and prospects, salesperson posture, handshake techniques, facial expressions, arm movements, hand movements, and placement of the legs and feet. Those sales representatives who rely primarily on the spoken word to communicate with prospects may be neglecting an important tool for conveying their ideas. In addition, Leigh and Summers (2002) conducted an investigation that examined the effectiveness of nonverbal communication in a sales context. Using videotaped presentations, they found that nonverbal cues (eye gaze, speech hesitations, gestures, clothing, and posture) influenced the experimen- tal buyers’ perceptions of the sales representative and their evaluation of the sales presentation. Journalism and television broadcasting Those in the public eye must demonstrate effective nonverbal and verbal commu- nication. How many times have you seen a clip of an on-camera flub being played over and over again on YouTube or the local news? In the opinion of some scholars, as well as television commentators, arrogant body language on the part of many journalists in the United States has led to low public respect and esteem for them (Lehrer, 1998). Public Service Individuals who work in environments such as libraries or government offices (e.g., Department of Motor Vehicles, utility companies) are sometimes criticized for their communication and viewed as distant and unhelpful. Evidence indicates that indi- viduals who are trained in nonverbal communication can replace negative percep- tions of themselves with positive ones (Sampson, 1995). Hospitality management Customer service is especially important in the hotel and restaurant industries. A number of hotel and restaurant managers have improved their organizations’ image among guests by providing client services employees (e.g., hosts, servers, The handshake is critical to making a KSSHǻVWXMQTVIWWMSR What are some of the qualities you notice in someone’s handshake? iS to ck p h o to .c o m /m ic h ae lju n g CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ desk clerks, bellhops) with training in verbal and nonverbal communication (Jafari & Way, 1994). In restaurants, eye contact, facial expression, body position, and posture of the staff, including servers and cashiers, affect how customers rate the value of the service (W. Martin, 1986). medical Professions Many people can probably share a story about an unpleasant experience at the doctor’s office. As physicians compete to attract and retain a strong client base, their services can be interpreted positively by potential patients through correct body language on the part of the physicians and their employees. Patients often choose a physician based on their perceived image of the doctor, as revealed by verbal and nonverbal communications (Hill & Garner, 1991). teaching Professions There is evidence that the nonverbal communication of teachers influences the evaluation direction (positive or negative) and level of performance they receive from their students (Babad, Avni-Babad, & Rosenthal, 2003). Consider the differ- ent teaching and communication styles of your current professors. What do you find are the common communication traits of the professors you enjoy most? legal Professions A study has indicated that lawyers can project a favorable impression of them- selves and their firms for prospective cli- ents through sustained eye contact and other forms of body language, such as an erect but relaxed sitting position and close proximity to the clients (Clarke, 1989). accounting and Finance In the same vein as lawyers, accountants can benefit through the technique of main- tained and appropriate eye contact, good posture, and close proximity to clients (Pickholz & Zimmerman, 2002). 2EREKIQIRX 5VMZEXIERH5YFPMG Managers in both business and not-for-profit organizations can more effectively convey ideas to their employees through correct use of nonverbal communi- cation (Hancock, 1999). Further, job evaluations of employees by their super- visors have been found to correlate with smiling, gaze, hand movement, and Television shows like ABC’s Grey’s Anatomy can shape our general perception of various professional roles. In your view, do you think the verbal and communication skills (or a lack of them) portrayed by characters in television WLS[WMRǼYIRGI our expectations of medical as well as other professionals? Retail companies compete to provide the best products and service to their customers. What does good customer service look and sound like? iS to ck.co m /an d re sr A d am Taylo r/ D isn e y A B C Te le visio n G ro u p /G e tty Im ag e s ƲƲPART IƲbeGinninG CommuniCation PrinCiPleS body orientation (DeGroot & Motowidlo, 1999). In a similar vein, managers can effectively convey impressions of empathy and power through body language (Gabbott & Hogg, 2000). KEYS TO EXCELLENCE IN VERBAL AND NONVERBAL COMMUNICATION In the opening of this chapter, we discussed the ways verbal and nonverbal communication can be conveyed in different communication contexts. Do you believe that this also affects your business communication? Think about how using the KEYS strategies can positively affect your nonverbal communication with others. The first step, know yourself, asks you to inventory the types of nonverbal cues you display to others. This can be difficult, but try to be aware even of the small, unconscious nonverbal cues you create. Sometimes the worst nonverbal cues we display are the ones we are not even aware of making. The next step, evaluate the professional context, requires that you assess what nonverbal signals are considered acceptable in your workplace. Are your meetings informal, or is there a set decorum on how people interact? Notice how both your coworkers and superiors convey nonverbal cues during workplace interactions, and gauge how your nonverbal cues line up with those of others in your company. The third step, your communication interaction, involves taking an immedi- ate reflexive inventory of both your nonverbal communication and your partner’s. How do you react to your partner’s nonverbal signals? How does he or she react to yours? Think about what sets you at ease when communicating with others, and try to accomplish the same goal when talking with customers, employees, or superiors. The more open people feel when talking with you, the more likely they are to dis- close information more honestly and comfortably. The final task, step back and reflect, requires you to analyze your communica- tion after the interaction has ended. Did you walk away feeling satisfied with your nonverbal communication? Did your communication partner seem at ease when talking with you? Assess what seemed to be the most effective nonverbal cues and which ones appeared to create a negative perception. Much like the relationships between tra- ditional and new media, new venues for busi- ness communication can help or hinder your professional career. Remember that nonver- bal communication does take place in digital contexts, and learn how to use nonverbal cues appropriately. This can lead to better (and more honest) communication and allow you to practice professional excellence in the workplace. nS[XLEX]SYLEZIǻRMWLIHVIEHMRKXLMWGLETXIV]SYWLSYPHFIEFPIXS Define verbal communication: y :IVFEPGSQQYRMGEXMSRMWFSXLSYV[SVHWERHZIVFEPǻPPIVW IKum, like:IVFEPQIWWEKIW EVIGVIEXIHXLVSYKLPERKYEKI*ǺIGXMZIGSQQYRMGEXMSRMRZSPZIWEGGYVEXIMRXIVTVIXEXMSRW SJSXLIVWƶZIVFEPQIWWEKIWEWQIERMRKMWGSGVIEXIH T EXECUTIVE SUMMARY Know yourself Evaluate the professional context Your communication interaction Step back and reflect CHAPTER 2ƲVerbal and nonVerbal CommuniCationƲƲ Define nonverbal communication: y 3SRZIVFEPGSQQYRMGEXMSR EPWSVIJIVVIHXSEWFSH]PERKYEKIMRGPYHIWEPPXLSWI[E]W[I GSQQYRMGEXI[MXLSYX[SVHW T Appraise your verbal and nonverbal communication skills: y developing interpersonal, verbal, and nonverbal communication skills requires you to HMǺIVIRXMEXIFIX[IIRXLIGSRXIRXERHVIPEXMSREPPE]IVWSJQIWWEKIW&W]SYGSQQYRMGEXI [MXLSXLIVTISTPI]SYVQIWWEKIWLEZIX[SPE]IVW T y 8LIGSRXIRXPE]IVGSRWMWXWSJXLIƸMRJSVQEXMSRFIMRKI\TPMGMXP]HMWGYWWIHƹ &HPIV5VSGXSV T8LIGSRXIRXPE]IVQE]MRGPYHIHIWGVMTXMZIMRJSVQEXMSRWYGLEWXLIXMQISJE QIIXMRKETVSNIGXHYIHEXISVXLIREQIWSJXLIGS[SVOIVWEWWMKRIHXSEXIEQ T y the relational layer reveals “how you feel about the other person; whether you like or HMWPMOIXLISXLIVTIVWSRJIIPMRGSRXVSPSVWYFSVHMREXIJIIPGSQJSVXEFPISVER\MSYWERH WSSRƹ &HPIV5VSGXSVT8LIVIPEXMSREPPE]IVQE]FIGSQQYRMGEXIHF]]SYV GLSMGISJ[SVHW T Discuss examples of how verbal and nonverbal communication are related: y Some communicators do not pay attention to the relational layer of their messages. as a result, they don’t realize how they’re coming across to others. to achieve professional I\GIPPIRGI]SYQYWXXLMROFI]SRHXLIGSRXIRXPE]IVSJ]SYVQIWWEKIWERHEPWSEWWIWW XLIVIPEXMSREPPE]IV T Apply the KEYS approach to conduct yourself with professional excellence through verbal and nonverbal communication in the workplace: y 8LIǻVWXWXITORS[]SYVWIPJEWOW]SYXSMRZIRXSV]XLIX]TIWSJRSRZIVFEPGYIW]SY HMWTPE]XSSXLIVW8LMWGERFIHMǽGYPXFYXXV]XSFIE[EVIIZIRSJXLIWQEPPYRGSRWGMSYW nonverbal cues you create. Sometimes the worst nonverbal cues we display are the ones [IEVIRSXIZIRE[EVISJQEOMRK T y 8LIWIGSRHWXITIZEPYEXIXLITVSJIWWMSREPGSRXI\XVIUYMVIWXLEX]SYEWWIWW[LEX nonverbal signals are considered acceptable in your workplace. are your meetings informal, or is there a set decorum for how people interact? notice how both your coworkers and superiors convey nonverbal cues during workplace interactions, and KEYKILS[]SYVRSRZIVFEPGYIWPMRIYT[MXLXLSWISJSXLIVWMR]SYVGSQTER] T y 8LIXLMVHWXIT]SYVGSQQYRMGEXMSRMRXIVEGXMSRMRZSPZIWXEOMRKERMQQIHMEXIVIǼI\MZIMRZIRXSV] of both your nonverbal communication and your partner’s. think about what sets you at ease when communicating with others, and try to accomplish the same goal when talking with customers, employees, or superiors. the more open people feel when talking with you, the QSVIPMOIP]XLI]EVIXSHMWGPSWIMRJSVQEXMSRQSVILSRIWXP]ERHGSQJSVXEFP] T y 8LIǻREPXEWOWXITFEGOERHVIǼIGXVIUYMVIW]SYXSEREP]^I]SYVGSQQYRMGEXMSREJXIV XLIMRXIVEGXMSRLEWIRHIH)MH]SY[EPOE[E]JIIPMRKWEXMWǻIH[MXL]SYVRSRZIVFEP communication? did your communication partner seem at ease when talking with you? &WWIWW[LEXRSRZIVFEPGYIWWIIQIHXLIQSWXIǺIGXMZIERH[LMGLSRIWETTIEVIHXS GVIEXIERIKEXMZITIVGITXMSR T Visit a website that defines internet slang and/or emojis (e.g., internetSlang.com, 9VFER)MGXMSREV]GSQ-S[SJXIRHS]SYYWIMRXIVRIXWPERKMR]SYVSRPMRI ERH TVSJIWWMSREPGSQQYRMGEXMSR$1MWXWIZIVEPX]TIWSJWPERKSVEGVSR]QW]SY[IVI previously unfamiliar with. 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